How Can Photographers Escape Copyright Thieves? Michelangelo Had the Right Idea
In the 16th century, Michelangelo worked on commission. Without his many patrons, there would be no Sistine Chapel ceiling, no Pietà, no David. Maybe it is time for photographers to return to the Renaissance model for financing their efforts. Because for many creative professionals, the current way of doing business seems doomed.
Previous Stories
- Photographers, Be Sure to Watch Out for Online Scams
- Eye on Image-Making: Photographers and the Law, Part 3
- Someone Ripped Off My Photos Three Years Ago. Can I Still Sue?
- Eye on Image-Making: Photographers and the Law, Part 2
- Eye on Image-Making: Photographers and the Law, Part 1
- Don’t Buy In to the Model Release Myth
- Eye on Image-Making: Why the First Amendment Matters, Part 3
- Eye on Image Making: Why the First Amendment Matters, Part 2
- Eye on Image-Making: Why the First Amendment Matters, Part 1
- Why Photographers Shouldn’t Hate Creative Commons
- When Buying Software Overseas Is This Hard, No Wonder Piracy Is Rampant
- At Too Many Museums, It’s Check Your Camera at the Door
- The Photography Industry Needs Fewer Lawyers — and More Trust
- Should International Photographers Register Their Images with the U.S. Copyright Office?
- On Street Photographers, Spies, Perverts and Pedophiles
- Can I Use a Creative Commons Photo Without a Model Release?
- How I Learned to Stop Worrying About Model Releases
- Let’s Work Together to Protect Copyright
- Is a Verbal Agreement Sufficient for a Model Release?
- Can “Look, But Don’t Touch” Ever Be Enforced on the Web?
- Can a Company Blog Use Images the Way a Newspaper Does?
- How I Scared the Wits Out of a Copyright Infringer — and Why You Should, Too
- How to Add a Copyright Notice to Your Photos
- Why Chris Usher’s Loss Is a Defeat for All of Us
- Once You License Your Work with Creative Commons, the Cat’s Out of the Bag
- Photographers, Car Thieves and Copyright
- Who Should Sign the Model Release?
- Is It OK to Copy Contracts from the Web?
- Model Releases and Your First Amendment Rights
- Do I Need a Model Release?
- Understanding Fair Use
- How to Send a DMCA Takedown Notice
- Why You Should Be Worried About Proposed Orphan Works Legislation
- Stop Whining About Copyright Infringement and Start Doing Something About It
- Who Owns My Photos — My Publication or Me?
- Here’s Why to Add Your Name and Copyright Notice When Posting Photos Online
- Don’t Be a Copyright Hypocrite
- Sony Music’s Photo Archive Hits a Sour Note for Photographers
- What Part of “No” Don’t You Understand? Explaining Copyright Law to Publishers
- Ashley Dupre and the Muddled Mess of Fair Use
- How the Library of Congress Screwed Up By Putting Its Photos on Flickr
- Public-Domain Photographs Can Be a Source of Revenue
- When Do You Need a Model Release?
- Why Photographers Hate Creative Commons
- Protecting Your Images: The Myth of Creative Commons
- The Rap Video That Saved New York Photographers
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- Does New York Have Something Against Photographers?
- Electronic Copyright Office Goes Beta
- Citizen Journalism’s Terms of Use: A First Look
- Photographers and Models Scrapping Again Over Usage Rights
- Brochure? Sales Sheet? What’s the Difference?
- Copyright Suit is on the Money
- Can Taking Photographs in Public Be a Crime?
- Wildlife Photographer Wins Copyright Case
- Portrait Studio Sues Playboy for Copyright Violation
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