professional writing services

The content of our site is very important thing. If it’s not well structured it won’t be accepted well by your readers or clients. That is why sometimes we need some professional help to get the things right.
I’ll present to you one company which knows how to do it. They can help you with article and web content writing (such as travel guides, newsletters, blog entries, SEO), technical writing (for example user and installation guides), proofreading and copyediting. Also their translating services are at very high level.
We have our own plagiarism software to scan each and every written work. We guarantee 100% plagiarism free papers. You will get your order completed within the timeframe given in the order. Stop wasting your time and money searching for help from other writing services!
For many people paying for a very personal product like writing is off-limits as they take it  as violation of intellectual property. And it is true that submitting plagiarized writing is dishonest. We suggest our services for MODEL writing only. We are not encouraging you to submit our essays as your own.
more information web
http://www.cornwellwriting.com

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Nikon d7000 price

Forgather the new Nikon D7000, a photographic camera ready to go wherever your photography or motion picture photography takes you. Experience stunning pictures with sharp resolve and smooth tonal grade, thanks to the 16-megapixel DX-format CMOS prototype sensing element and a herculean EXPEED 2 epitome processing engine. Take advantage of its broad ISO orbit of 100 to 6400 (expansible to 25,600) and its implausibly low degrees of haphazardness. Anticipate your icons tack-sharp and accurately displayed, thanks to the tv cameras 39-point AF and Scene Recognition System using a 2,016-pixel RGB matrix metering sensing element. And with an approx. 0.052-second release time lag and approx. 6 frames-per-second shot, you wont miss a moment.

It has the new high shutter velocity of 1 8000 of a second. As well as a maximum ISO of 25600. As well as a brand novel 2016 pel RGB metering organisation and 1080p video recording. Hang on, Canon had that already a long time ago! Its pretty slow real isnt it? Simply like this surface area. But await, theres more! .

$ 1,199.

For more details:
http://nikon-d7000.net/nikon-d7000-price

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Painting from photo

We are ready to modify the painting to your full satisfaction .If you have any different idea when reviewing it, please notify us at any time. The spectacular space battles seen in Star Wars, released in 1977, were created using miniatures, blue screens and optical compositing on plain old celluloid. The film's computer graphics crew? Four. Behind Star Wars: Episode I-The Phantom Menace, by contrast, was an army of hundreds of digital effects artists. For Episode II, director George Lucas has said, the live-action scenes will be shot using digital movie cameras, leaving not a single scrap of film on the cutting-room floor.
Bits and bytes, in other words, are rapidly replacing crystals of silver on paper or film as the dominant storage medium for two-dimensional images. Because bits are so malleable, video artists can give visual form to an astonishing new range of ideas.
Consisting mainly of a series of lessons, the book opens with a list of the hardware you may need — computers, printers, graphics tablets etc, followed by a short list of suitable software: Corel Painter, Nik Color Efex Pro, Alien Skin Snap Art, etc.

This list immediately signals the author’s intent, with which you may or may not disagree: in Ms Sholin’s approach, a digital image is best transformed into a ‘painterly’ picture, emulating the work of the impressionist masters.WHY PASTEL PAINTINGS ARE BETTER THAN OIL PAINTINGS: Pastels are more permanent than oils; let me explain. When you think of “Pastel” you may think it synonymous with “Pale,” as in color. This is not the case when referencing pastel paintings. "Pastel" is a French word meaning pure, powdered pigment ground into a paste, with a tiny amount of binder. Pastels include an infinite variety of colors ranging from soft and subtle to bold and brilliant. It is NOT colored chalk, which is made of limestone, but rather pure pigment, the same pigment used in all fine art paints. It is the most permanent of all media! There is no oil added to cause darkening, cracking nor is there other additives to cause fading or blistering. Pastel works from the 16th Century are still as fresh and alive today as the day they were painted. Pastel art works hold their value, in 1983 two Degas works, painted in 1880, sold for more than $3,000,000 each. If the entire canvas is covered with pastel it is called a pastel painting (what I do), if some the canvas is left exposed it is called a pastel sketch.

How to Care for Pastel Paintings: My pastel paintings will come with a finishing spray already applied. . It is important to have the pastel painting matted (to keep it from resting on the glass) and framed under glass. Please take care to not intentionally touch or smear the painting. Get it framed as soon as possible. As with all fine art, keep the painting out of direct sunlight. When transported or not hung, keep the pastel painting face up.


Much attention is paid to dealing with Painter, its toolbars, palettes, brushes etc to such a degree that the book could be viewed as a primer to using the software. The author contends that “Painter is the most sophisticated software for digital painting that has ever been developed.Custom painted corporate portrait paintings in a variety of sizes are available for our business clients. If we do not have the size you are looking for, please contact us for special pricing. We can produce a one subject oil painting from photo or your entire staff, building included! This is perfect for any type of corporation or business who wishes to show off the staff.
Already have a photo of the staff? Do you wish to eliminate a member and add another? Not a problem. Simply send us the staff photo, take a digital photo of the new member, let us know who to eliminate and we can have it done for you custom. Compare the pricing, a corporate portrait painting or a corporate portrait photographer. Compare time lost in a 2 to 3 hour photo shoot vs a few minutes.
If you have specific staff colors, your new employees wouldn't even need to get dressed up for the occasion. This also makes a perfect move in Real Estate, gift and corporate gift. Our process is very simple. Just send us the image you would like us to paint for you at check-out or try our free portrait from photo evaluation located on the left side of the page.
A custom oil painting from photo is the perfect corporate gift idea for any occasion. Perfect for any holiday and the perfect personalized touch for the busy executive. Corporate oil paintings from a photo can be anything from a corporate building, corporate staff, executive, corporate officer or logo painting, This is truly "Whatever your hearts desire" , just send us your ideas and we will provide the custom oil painting.Artist Amy Park paints repeated geometric forms in architecture with a sure hand in watercolor. She uses reference photos but doesn’t render a building exactly from a picture; her photos are admittedly blurry. She uses a small Nikon Coolpix S600 10.0 megapixel digital camera (with a 4X optical zoom) to take the pictures and then simply glances at them while she paints.http://wahooart.com/A55A04/w.nsf/BuyCustomArtwork

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world photography

How To: Use Perspective to Make Something Small Look Huge

Burkard used a Canon 15mm f/2.8 fisheye on his EOS 20D in a custom fiberglass housing by Dale Kobetich.

Photo: Chris Burkard

 

 

You Don’t have to be a surfer to appreciate the mythos of breaking waves. And the bigger the wave, the more awestruck we are. But leave it to a surfer and photographer to capture the ocean’s power in the everyday rhythm of breakers along the California coast. Chris Burkard, a 24-year-old pro from Pismo Beach, CA, visualizes catching waves just right—and because of his background, his body senses where the camera needs to be.

In this shot, “Six Inch Perfection,” experimenting paid big dividends from a tiny curl. “People see these surf images and think it’s a monster wave that required huge efforts to get the shot,” he says. “But this was taken on an average day with mediocre light in Los Angeles at a beach break called El Porto.”

Burkard swam out using swim fins and without a surfboard, carrying his Canon EOS 20D and 15mm f/2.8 fisheye lens in an underwater housing. Noticing the waves doubling up—breaking, then breaking again on a shallow sandbar—he decided to work the barrels created on the second break.

A wave’s impact zone is the place where the lip of a breaking wave lands; just outside that zone is the ideal spot to shoot. It’s also the most dangerous, because the ocean’s current will push and pull you around—you don’t want the wave to break on top of you.

In this case, because he was in such shallow water, Burkard lay on his back with his head and body behind the breaking wave. Only his arm and camera were in the barrel of the wave. “Your hand is your eye, because you’re not looking through the viewfinder,” he says. “Having your hand at the proper angle is crucial. You’re aiming to shoot right out of the barrel, but you’re rarely able to do that.”

This little wave perfectly surrounded the camera and created a bubble effect where the water bursts apart. He shot three frames of it in high-speed continuous mode, of which this image was the second frame. Not knowing he had such a special image, he kept shooting for another couple hours.

“I never expected to get that shot,” he says. “You’ll be shooting sometimes and know a good moment has happened, but in the water you’re more disconnected. It’s so much body language—where and how you have your shoulder and forearm and hand.”

Burkard recommends experimenting. “If in your mind you’re trying to visualize something new or different, and you give it the effort, you’re either going to succeed or fail, but you’re going to learn from that,” he says. “This is one of those moments where everything came together, and it worked out great.”

Sony looks to change the world of DSLRs

'We really can change the world' says Masashi 'Tiger' Imamura, President of Personal Imaging & Sound Business Group in an exclusive interview with dpreview.com. The company will try to bring together all its technologies to produce a worthy successor to the A700, he told us in a talk that also touche
d on the future expansion of the NEX system and the company's position on 'full frame' models.

'After the merger [with Konica Minolta] our system was very similar to a traditional DSLR - very similar to Canon and Nikon. They have more heritage than us: traditional DSLRs are a mixture of optics, mechanics as well as electronics. We're coming from the AV industry so we have a lot of unique technologies we can put into our cameras. Now we have merged our resources into one place (Tokyo), we can bring our knowledge from Alpha, NEX, Cyber-Shot and camcorders.'

'There has been a lot of discussion about what an Alpha DSLR should be. We've been focusing for some time on utilizing our unique technologies. The translucent mirror is one and it performs very well. We want the A700 replacement to be in line with that kind of step forward, we want it to be superior to its competitors, that's why we couldn't make it sooner,' he said. But, he assured us, the results will be worth waiting for: 'With the A33 and 55 we tried to look at the problem and get rid of some of the old hassles - the A700 successor should be like that.'

Meanwhile, the NEX concept will expand in several directions, he said: 'The concept of the NEX 3 and 5 were for people who already have a compact stills camera and want to take a step up, but see a traditional DSLR as big, heavy and hard to use. We think these models are a very good fit to those customers. But also there are customers using NEX in addition to their DSLR, so we're planning to expand NEX in a more easy way, a lighter way, but we'll also expand to make models that have more manual control and more DSLR-like capability.'

Imamura repeated the enthusiasm he expressed at Photokina for the use of legacy lenses on the NEX system: 'with lens adapters, people can combine their valued, heritage lenses with a very advanced digital body. We didn't expect that kind of usage. There are lots of interesting things we can do for those types of customer.' The wait for these models may not be too long - at a formal dinner after our interview he told the assembled journalists that: 'the successors to the NEX-3 and NEX-5 are on the horizon.'

But the company's ambition doesn't end there, he said: 'As well as the easy-to-use and DSLR capabilities, we're also thinking about the camcorder style shooters and technologies. The NEX VG10 is one example of that. The barriers between compacts, DSLRs and camcorders will merge - not necessarily in a single device but with technologies and capabilities being shared between them. Our mission is to create new markets - we don't want to make the same products as everyone else and just cannibalise each other in the existing market.'

When asked about full-frame, he said Sony was still committed: 'When we started in DSLR we said that if we have DSLRs, a full-frame camera must be there. But we are working on a lot of products and there is a limit to our engineering capacity. The time will come when I can give more detail. When we announce a full-frame camera we want it to be a big step forward - another technological development might be needed so I say to people: Please stay tuned.'

Reviews
"At a time when there is a plethora of books offering technical information for the photographer wishing to gain access to what is going on in digital photography one book stands out for the wealth of information and the simplicity with which such knowledge is transmitted. I don't think that even professionals with experience can go through this book without finding a diversity of very useful and important information. Written by Katrin Eisman, Sean Duggan and Tim Grey, this book deserves to be on your shelf right next to your computer regardless if you are a working photographer, a teacher, or an art critic (especially the latter ones, who many times do not have a clue of what they are writing about)."
"The best piece of advice I can offer to a digital photographer is "Know your camera — read the user guide!" The second best of advice is "Buy this book!" This is practical information about everything from selecting a camera to understanding the settings, metering light, building a digital darkroom, enhancing and printing images, creating a digital portfolio, archiving and storing images, and more. As you can see, this book covers all aspects of digital photography, from getting started right through the finished product. And this is no-nonsense info, the type of background necessary for the 'real world'."
"These three competent authors take readers through digital imaging from concept (Why Digital?) through color management, to the final printed image. It's true that a lot of books on the shelves cover the digital imaging waterfront nowadays. The difference with Real World Digital Photography is that the authors don't gloss over the concepts and simply rewrite 'marketing' material. Instead, they give you understandable background on all the concepts. That background makes all the difference because without it, if anything goes wrong, you are often clueless on how to resolve it. There is little chance of that happening if you read this book."
"This is the most comprehensive digital photography book we've seen. From equipment to shooting to the digital darkroom, it's packed with clearly written descriptions, tips, and techniques that will help you set up, use, and maintain the digital level best suited to your needs. Its coverage of computer photo enhancement rivals most dedicated Photoshop books. Stock photographers will find the final chapter, "Archive, Catalog, and Backup," especially useful."
-- David Arnold & Gail Rutman,
  Reader Comments
"Not only did both my wife and I devour this one from cover to cover, but when one of us would put it down the other would grab it. It's a fantastic book, and a must-read for anyone who's serious about digital photography."
Real World Digital Photography arrived last week. Yvonne and I are both reading it and we want to jointly commend you on the writing. You guys are so good I actually think that I am beginning to understand some of this stuff!"


"Your section on the Histogram is the clearest and best explanation I’ve ever read, it really brings the whole point home as to how one uses and reads the intimidating histogram."


"I received a copy of the book and I must say WOW. I think you really did an incredible job and am especially impressed with Chapters 10 and 11. We will be putting this book on our must have reading list for D-65 workshops. I actually just bought a copy as a gift for someone as well!"


"I've been remiss in emailing you to thank you for the copy of Real World Digital Photography. It's another triumph -- a detailed yet approachable guide that, unlike so many books, gives equal weight to art and science."

"It's a pleasure to have such a hands-on such digital photography bible! Waiting for more books by you."


"Great book, folks. Just exactly what I needed to help make my switch from film to digital a relatively painless reality instead of the frustrating experience it was becoming. The book covers all the basics, and more, in a systematic and exceptionally well written manner. Thanks a bunch."


"My initial impression is that I could teach a digital photography course doing full workflow from capture to Photoshop and output using only this one book."


"I am a beginner photographer, apart from point and shoot snaps. I have owned 2 other digcams (including the first Apple Quicktake!). I use Photoshop 6.0. I have bought and read many photography articles and books. Yours is absolutely wonderful! I finally understand things and hope to get better."


"I have read most of the new book and am very impressed with it. This book, combined with your photo retouching book, make for a great reference set for those wanting to greatly improve their pictures."

Enter our Facebook Monthly Photo Competition for your chance to win prizes for sharing in WPO's passion for photography. Each month we give you a different theme, ask you to take an original and inspiring photo that fits the theme, then enter it! The theme for April is 'Celebration' in conjunction with our upcoming World Photography Festival and the Royal Wedding taking place in London this April. 

Photosmith Lets Your iPad Play Nicely With Adobe Lightroom

A new iPad app lets you organize photos on your iPad before sending them over to Lightroom — lightening your gearbag considerably.

Photosmith ($17.99,  is an iPad app that could become a key part of your photography workflow, removing the necessity of dragging a laptop with you on location. It functions like a pared down version of Adobe Lightroom, giving you basic tools to organize and flag images, and then sync with Lightroom for hard editing.
Once you get the images on your iPad, you can tag, label, rate and filter them; set titles, IPTC and descriptions; create collections; and view EXIF data. When you're back home, you just sync the photos over WiFi or USB  to Lightroom.
This means you don't have to lug a laptop with you on photographing missions, but you're still able to rate and tag images while the shoot is fresh in your mind. It's not nearly as powerful as Lightroom, obviously, but it can act as an important step in your workflow.
One of the big features in the app is its support for raw files. Just having a reliable way to browse raw files on the iPad with 100% zoom capability is already a bit of a win.
The first reviews of the app on iTunes are universally positive, and people seem very taken with it.
My hope is that the app can be jury-rigged to function with the most recent version of the  That way your photos will be instantly beamed from camera to iPad without needing to even plug into the camera connection kit.

Browse:

Olympus Zuiko Digital ED 7–14mm f/4

Pricey

Rating 

8

Product Photos 

No photos currently available.

Photos From Lens 

No photos currently available.

A true ultrawide utility lens for Four Thirds shooters, this zoom delivers dust and moisture proof construction and light falloff that ís among the best in this category.

Standout Spec: 

No detectable vignetting at 10mm and 14mm focal lengths.

Product specifications

Lens Type:	Zoom
Compatibility:	Digital Only
Range:	Super wide angle Wide Angle
Mount:	Four Thirds
Auto Focus:	Yes
Full-Time Manual Focus Override:	Yes
Silent AF:	No
Zoom:	Yes
Minimum Focal Length:	7 mm
Maximum Focal Length:	14 mm
Fastest Aperture:	f/4.0
Slowest Aperture:	f/22.0
IS:	No

Elements:	18
Groups:	12
Filter Size:	0mm
Length:	4.7 inches
Weight:	27.5 ounces
Price:	$1470.00
Tripod Collar:
Included Case:	Yes
Macro:	No
Tilt/Shift:	No
Model Number:
SKU:

Digital-only speedsters in the 16–55mm range are at home in the Canon, Nikon, Pentax, and Tamron catalogs. All offer fast f/2.8 constant apertures and image stabilization (except for the Pentax, which puts IS in the camera). Now Sigma joins them with this 17–50mm OS ($670, street), its first high-speed, stabilized, wide-angle zoom made for APS-C bodies.

Pentax has long been known for making solid entry-level DSLRs. Its latest, the K-r ($710, street, with 18-55mm f/3.5-5.6 kit lens), shows a noticeable improvement over the popular K-x it replaces, and continues a newer Pentaxian trend: colorful DSLRs. It is available in red, white, and the traditional black.

Of course, with style must also come performance, and during its time in the Popular Photography Test Lab and out in the field, the K-r proved that it's got plenty of substance to back up its fashion sense.  

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hcg diet recipes

Everyone on the earth deserves to be happy and healthy. You can imagine the situation of your life if you are one obese guy who is trying thousands of ways to lose weight and nothing ends well? Today with the appearance of HCG recipes, your plan for weight loss will never be a dream again. HCG recipes provide a guarantee to your life and living, from this you can say goodbye with fatness and obesity.For HCG stands for Human Chorionic Gonadotropin, which is a hormone produced in large amounts by pregnant women to control metabolic functions. HCG will reduce your desire for food and metabolize stored fat. HCG recipes was depending on this working principal and invented by Dr. Simeons, who had spent many years on trying to find what cause obesity since 1954. HCG recipes has spread more than half a century andhas developed more maturely and more illustrious For HCG recipes which is not so complicate, Dr. Simeons has ever been given an example to identify this. For daily drinking which always include tea, coffee, milk, white meat, vegetable juice or fruit juice and etc. Tea or coffee in any quantity is ok but make sure it’s sugar free. Only one tablespoonful of milk is allowed per day and no more than 100 grams of white meat (veal, beef, chicken breast, fresh white fish, lobster, crab, or shrimp) per meal is restricted. So this is what you shall do for HCG recipes, only be a little carefully is okay.Turkey and Tomato Soup is my favorite recipe during my course. This recipe is a very low calorie diet and the food tastes really good. We know that chicken contains very low fat and high protein and tomato contains plenty of vitamins. This can guarantee enough nutrition for your activity but provide no extra energy.Though only 500 calories is limited per day, actually you will enjoy your meals. Believe it or not, I lose 6 pounds after a week I take HCG diet drops and the recipes. I enjoyed the meal and feel the change of my weight every day of the course. Actually we can also try the recipes after the diet when our fat is high. So I recommend you to buy the products and try the diet recipes. You can try different combinations and recipes. I promise you will enjoy it and be excited of the effect it brings you.Two months ago, I met Jane an old friend of mine since high school on street. I could hardly recognize her if not stopped by her. We talked for a long time and I got to know that it was HCG diet changed her. I took her advice and bought HCG diet immediately. The effect of the product was remarkable yet what attracted me most were the HCG diet recipes. The recipes are very easy that anyone can make and the food tastes good. I had tried many diet products and diet recipes but all of them ended in failure. Because the recipes were terrible that can not be called real food.Two months ago, I met Jane an old friend of mine since high school on street. I could hardly recognize her if not stopped by her. We talked for a long time and I got to know that it was HCG diet changed her. I took her advice and bought HCG diet immediately. The effect of the product was remarkable yet what attracted me most were the HCG diet recipes. The recipes are very easy that anyone can make and the food tastes good. I had tried many diet products and diet recipes but all of them ended in failure. Because the recipes were terrible that can not be called real food.There are many kinds of HCG diet recipes for you to choose from.Turkey and Tomato Soup is my favorite recipe during my course. This recipe is a very low calorie diet and the food tastes really good. We know that chicken contains very low fat and high protein and tomato contains plenty of vitamins. This can guarantee enough nutrition for your activity but provide no extra energy.There are many kinds of HCG diet recipes for you to choose from.
Turkey and Tomato Soup is my favorite recipe during my course. This recipe is a very low calorie diet and the food tastes really good. We know that chicken contains very low fat and high protein and tomato contains plenty of vitamins. This can guarantee enough nutrition for your activity but provide no extra energy.
Though only 500 calories is limited per day, actually you will enjoy you meals. Believe it or not, I lose 6 pounds after a week I take HCG diet drops and the recipes. I enjoyed the meal and feel the change of my weight every day of the course. After about 40 days, my weight drop to a normal range. I really appreciate to  for it makes me feel that I am a good cook!Though only 500 calories is limited per day, actually you will enjoy you meals. Believe it or not, I lose 6 pounds after a week I take HCG diet drops and the recipes. I enjoyed the meal and feel the change of my weight every day of the course. After about 40 days, my weight drop to a normal range.Actually we can also try the recipes after the diet when our fat is high. So I recommend you to buy the products and try the diet recipes. You can try different combinations and recipes. I promise you will enjoy it and be excited of the effect it brings you.Finally, it seems that HCG recipe are so easy and normal, which not so complicate as what you thinking about originally. Once you began your journey of HCG recipes for weight loss, it came to be boring and confusing after a period of time. Anyways, succeed or not, the diet recipes are essential.
                                   more information visit webhttp://www.easyhcg.com/recipes

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shrimp scampi recipe

Clean your shrimp, peeling off shell and deveining. You can go away the tails entire for demonstration if desired. In a medium size pan, saut olive oil, butter, and garlic for about 1 hour. Add shallots and shrimp and saut for another 2 moments on each English of shrimp. Flaming with brandy. Add sherry and saut for about 2 more hours. Serve shrimp scampi over rice or your preferred alimentary paste. The rest of the fare complements the shrimp. Rice pilau is the perfect vehicle for soaking up the wonderful lemony, garlicky butter from the shrimp. Garlic toast adds crunch and more larder smack to the fare. A nipping green salad and a unsubdivided formula for asparagus are necessary to balance the plenteous entree. And sweet is one of my show stoppers : Chocolate Crepes with Caramel Sauce. Create the crapes, the filling, and the caramel brown sauce the Clarence Shepard Day Jr. before your dinner party. The staff of life can be forgathered in the dawn, along with the salad dressing. The pilaw and the shrimp have to be created merely before serving, indeed .
more information visit the web http://recipeshrimpscampi.com

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Cameras

If you aspire to produce professional quality photographs to document family events, sports, vacations or even business applications you've likely already decided that a point and shoot digital may be lacking some features you require and desire to fully explore your creative vision.

The new digital SLR cameras available today at reasonable prices will afford you greater flexibility and allow you to fully explore your creative limits. The quality and detail that can now be captured by amateur phographers is truly inspiring. I was personally inspired to purchase the:
when my sister returned from a trip to Africa with photos taken with this particular model. I'll admit mine was an impulse buy when I saw the breathtaking scenery and wildlife pictures she had captured. Having said that I still feel this is a fantastic camera and will give me many years of service with no need to upgrade.

I have found though, that cameras with features very similar to my camera can be found at considerably lower prices and after researching the digital SLR's the following picks are the best reviewed and top rated cameras currently available and there are some very good price reductions on these models to be found below.

felt that there was a risk in purchasing (or recommending for purchase) any camera made by a manufacturer that didn't begin with C or N. Brands like Panasonic made excellent cameras too, but they tended to be hit-or-miss. When in doubt, I always knew I could turn to a Powershot and expect a solid level of performance, and I still think this today. A Powershot may not always be perfect, but it'll get the major things right.

Having said that, I've always had a soft spot for Panasonics. With perhaps an exception here and there, Panasonics have been consistently fast and intelligently designed, and most importantly, they tend to produce really great images, with a special strength when it comes to performing in low light.

I'm thrilled to report that even a few years since my last Panasonic, the new Lumix DMC-FH20 model lives up to my expectations -- and then some. I'm less thrilled to report that I'm kind of regretting my recent purchase of a Canon as my new "everyday" pocket camera after having tested this. There's nothing wrong with my Powershot. It's a great little performer. But dang, I had fun with the FH20. I loved this camera.

Body and Design

It seems like digital camera manufacturers recently went through a frenzy of seeing who could produce the tiniest camera body, resulting in a slew of credit card-sized units that are uncomfortable to hold and cause users stumble over their own fingers trying to push pinhead-sized buttons. I hope this trend is over, and the FH20 is a positive sign. The FH20 is slim and lightweight without feeling too fragile. Compact, but not too small. Some of the operational buttons are a bit undersized, but they're cleverly laid out. There's enough space between them to keep you from pushing more than one at the same time (although someone with larger hands than I have might run into that problem). The layout makes sense (as in, I didn't need the manual to figure out where everything was) and the 2.7-inch LCD screen, while not gigantic, is well-placed, bright, and responsive.

Perhaps the only complaint I have in terms of design is the fact that you have to push Menu in order to get into the Scene modes. Here's where my Powershot comes out on top -- I'm used to turning a physical dial to reach multiple Scene modes. Having to click into a menu is an extra step that would probably cause me to leave the camera in regular Auto or Intelligent Auto mode more often than I would if the other options were more quickly accessible.

The Scene modes themselves are an interesting collection, with some slightly mystifying titles like Food and Soft Skin. I'm not 100 percent sure what all of them do in terms of changing the final effect, but they were fun to try out. I didn't happen to have any babies lying around to use for a true field test on the two -- count 'em, two -- Baby modes. The Film Grain mode was absolutely gorgeous. A large percentage of the scenes are geared towards super-darkness, like Starry Sky, Fireworks, Night Portrait, Night Scenery, and so on. I was hoping for something designed to handle dim situations, but not necessarily total darkness. Granted, there's a High Sensitivity mode that would probably do the job, but where was the regular old Indoor mode or its equivalent?

Performance and Image Quality

But then I remembered that this is a Panasonic, and if it's going to live up to its reputation, Auto mode should be perfectly capable of handling a low light scene without any help from special settings. Right?

So, of course, I tested it. I set the camera to Auto, switched off the flash, and took it into a closet about as dim as a bar or a room after sunset without any lamps turned on. And man, if the snappy-fast performance, nice layout, and sharp photos I'd taken so far hadn't already convinced me, the low light performance of the FH20 would have done it: yes, yes, yes, Panasonic. Well done. The low light photos were even better than I expected, with crystal clarity, a super-low amount of graininess, true-to-life color, and perfectly defined focus.

Focus: This is a major point. Low-cost digital cameras often have trouble finding focus in low light, since objects tend to lose definition. But the FH20's Auto Focus wasn't even fazed by being in my closet. It didn't even have to hunt. It locked in just like I was shooting in broad daylight. What's more, performing this test with the flash off would be a recipe for blurry photos with most cameras (no flash + dark room = an open shutter for a good, long time). But shake wasn't even an issue here. Sure, I had to brace the camera against my knee a bit, but it took one shot -- one shot! -- to get a sharp photo. The shake warning on the screen lit up, but the photo itself wasn't blurred in the least. I mean, geez. One of the selling points of this model is what Panasonic calls Mega Optical Image Stabilization (OIS), and yes, it seems to work.

Speaking of selling points, the other major features of the FH20 (at least according to the hangey tag attached to the test unit) are the 14.1 megapixel sensor, 8x optical zoom, 28mm wide-angle lens, “Sonic Speed” Auto Focus, and 720p HD movie mode. They all work as they should and are pleasures to use. The zoom is particularly impressive. I didn't really realize how strong an 8x zoom is until I used this. It's super-fast to operate, and even when zoomed fully out the Auto Focus still comes through without stumbling.

Who Should Buy an FH20?

I'm typically reticent to recommend a camera to a huge variety of users. Most cameras, no matter how good they are, work best for certain niche groups. Some are gorgeously designed and take great pictures, but are confusing to operate and should be avoided by novices. Some are loaded with intimidating technical features that make them iffy gifts for older relatives or children. Others are so fragile that anyone who's slightly rough on their camera would break them.

But I think nearly anyone, regardless of skill level, age, camera abilities, or expectations, would be pretty satisfied with the FH20. It's almost ridiculously easy to use. Even if regular Auto isn't satisfactory, Intelligent Auto can help. It automatically sets and adjusts to adapt to different scenes -- and most importantly, it actually works and almost always offers better results than standard Auto. I even tested it in a deliberately tricky backlit situation and it worked. Sometimes I think that feature is just a marketing trick, but in this case you can see a difference between photos shot with regular and Intelligent Auto, and you have to kind of wonder why anyone would use the regular version in the first place.

The Verdict

The FH20 is easy to handle, designed in a way that makes sense, has quick enough operation to capture fast-moving things like children or pets (a shutter speed of just 0.006 seconds, according to the official spec sheet), handles most lighting situations smoothly, and has enough fun options to let you experiment without feeling like you're getting in over your head. I suppose the only caveat is that if you're someone looking for manual control over your camera, someone who likes to set exposure and other factors for yourself, the FH20 isn't going to give you what you want. But personally, when I want to play with manual settings, I turn to my dSLR. A camera like the FH20 is meant to be carried in your purse, or used to take snapshots of the kids, or at family picnics, or on vacation. It's a quick, capable snapper that offers high-quality results. It's meant to take good pictures without much effort on the user's part. And it does just that, and man, it does it well.

12.1 megapixels • 3" screen • 4× zoom

The ultra-compact features a 12.1MP back-illuminated CMOS sensor, 3.0" LCD and a 4x zoom lens starting at 28mm equiv. It comes with 32 scene modes and 6 creative filters including Miniature and Toy Camera effects. Users have the option to shoot Super Slow 340 x 240 movies at 240fps and 1080p24 Full HD video. There is also a Movie Digest mode that records a short video clip right before shooting a still image and then combines one day's worth of clips into a video.

 

12.1 megapixels • 3" screen • 4× zoom

The ultra-compact features a 12.1MP back-illuminated CMOS sensor, 3.0" LCD and a 4x zoom lens starting at 28mm equiv. It comes with 32 scene modes and 6 creative filters including Miniature and Toy Camera effects. Users have the option to shoot Super Slow 340 x 240 movies at 240fps and 1080p24 Full HD video. There is also a Movie Digest mode that records a short video clip right before shooting a still image and then combines one day's worth of clips into a video.

	Nikon D7000 I've posted the gallery for the Nikon D7000, which is the next camera to be reviewed here on the DCRP. I expect to reshoot a few of those photos before things are all said and done. In other news, I updated the Olympus XZ-1 review with new RAW conversions, which became possible after Adobe released a new version of their Camera Raw plug-in. I've also been informed that the lens I used in my Pentax K-r review is optically different than what ships with the camera, so at the very least I'll be updating some wording in the review, and I'm considering reshooting all of the gallery photos with the newer lens. One other project I'll be working on soon is a three-way comparison between three GPS-equipped ultra zoom cameras: the Canon PowerShot SX230 HS, Panasonic Lumix DMC-ZS10, and Sony Cyber-shot DSC-HX9V. If I can get my hands on the Fuji FinePix F550EXR, I'll throw that in as well.
	Olympus intros SZ-30MR super zoom Olympus today took the wraps off of two new digital cameras. The first is their flagship super zoom camera, known as the SZ-30MR. This camera uses a 16 Megapixel CMOS sensor, allowing for fast continuous shooting and Full HD video recording, among other things. Here's more: SZ-30MR  16 Megapixel back-illuminated CMOS sensor (presumably the one found on many new Sony cameras) Dual TruePic III+ processors F3.0-6.9 (!), 24X optical zoom lens, equivalent to 25 - 600 mm Sensor-shift image stabilization 3-inch LCD display with 460,000 pixels Point-and-shoot operation, with Intelligent Auto mode Can shoot continuously at full resolution at 9 frames/sec (up to 5 shots) Multi-Recording mode allows you to take 1080p video and 16MP stills at the same time Eight Magic Filters, similar to Art Filters on Olympus' interchangeable lens cameras Can create 3D photos by telling where to point the camera; also has a "sweep panorama" feature Records videos at 1920 x 1080 with stereo sound using MPEG-4 codec (not sure about frame rate or zoom usage) HDMI output SD/SDHC/SDXC card slot Uses LI-50B lithium-ion battery, 200 shots per charge Comes in silver and black Ships in April for $399
	Olympus TG-810 rugged camera w/GPS The other camera for today is Olympus' top-of-the-line "tough" camera, which is known as the TG-810. This rugged camera is also the first from Olympus to feature a built-in GPS. The specs: TG-810 14 Megapixel CCD F3.9-5.9, 5X optical zoom lens, equivalent to 28 - 140 mm Sensor-shift image stabilization Rugged body is waterproof to 33 feet, shockproof from 6.6 feet, freezeproof to 14F, crushproof to 220 lbs, and dustproof (of course) 3-inch LCD display with 920,000 pixels Built-in GPS, compass, and manometer allow for some pretty fancy geotagging Point-and-shoot operation, with Intelligent Auto mode Magic Filters, 3D photo, and panorama creation features, similar to the SZ-30MR above Records video at 1280 x 720 with sound using MPEG-4 codec (again, not sure about frame rate/zoom) LED illuminator brightens videos, above and below sea level HDMI output 19.5MB onboard memory + SD/SDHC/SDXC card slot Uses LI-50B li-ion battery, 220 shots per charge Comes in silver and black Ships in April for $399

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Best Toshiba Satellite

Here is the one of all the Best Toshiba Satellite Laptop 2011 and this laptop computer have large value and high damages, Satellite L655-S5158 pricey about $ 599,99 with 15.6-Inch Monitor and release with many coloring material, before you buy you should know about what is the important of this laptop around, you can find out all reviews or you can ask me if you require supporter or want to buy this laptop computer, you can see the paradigm preview below. Toshiba Satellite Pro S500 is one of the notebooks which directs occupation users, which is distinctly mulled over in the figure of the laptop computer. The laptop computer shoots a line of a 15.6 column inches screen which indicates the laptop computer is not very light weight. The black build sports a dimpled look on the chapeau. We found that the keyboard of the notebook is not that comfortable. The eco push button is one of the trademark of notebook made up Toshiba which shows powerfulness written. As a 16-inch laptop computer, Satellite A355-S6925 is best for those who dont movement often. Peoples who are concerned in amusement sexual love this.
                                           more information visit webhttp://besttoshiba.com/

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Intiem Etc - an bionomic play, closeness with the self as last land site of resistance Performed by Tossie van Tonder and Jacques Coetzee Somewhere between Japan and the U. S. Army in the Pacific Ocean is a massive island of charge plate and rubble, which has been churned up and stuck together by the seas lunar time periods. Ships avoid it, but faunas and marine sprightliness must be easy entangled.

This show, which is categorised as saltation in the computer programme, should truly be seen more as performance nontextual matter. Intiem etc is the creative persons reply to the thought of this bionomic disaster. Using a very reflective, controlled, focused style of move and trance-like exploration of the quad, motion healer van Tonder, who is well known for her controversial dancing compositions and Coetzee, a unsighted instrumentalist, search the space which is contained by coils of old washed up transport rope on the trading floor.

Utilising sound-making from the deep unconscious they journeying to a place of self discovery and find of each other, and then a letting Empire State of the South
                more information visit the webhttp://passiondeal.nl

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Handycam

Sony NEX-VG10 Interchangeable Lens Handycam Camcorder

 

 

The Sony NEX-VG10 Interchangeable Lens Handycam is the first-ever large sensor video camera, merging the rich colors, enhanced light sensitivity, and shallow depth-of-field of video DSLRs with the shape, size, and functionality of a camcorder. That means no more rigging out your video-enabled DSLR with accessories that cost twice as much as the camera–and no more funneling your video through the tiny sensors and fixed lenses of camcorders past.
Along with access to Sony’s growing line of E-mount and already established A-mount lenses (using an optional adapter), the NEX-VG10 provides an APS HD CMOS sensor that measures over 19 times the size of a conventional camcorder’s! This translates into a significant upgrade in pixel size and image quality, allowing you to record truly cinematic-looking video that gives you creative control over what’s in focus and what’s not. Whether shooting 1920 x 1080 video or 14.2MP stills, creative control is the order of the day–from manually adjusting iris, shutter speed, white balance and gain to finding the perfect lens to capture the world as you see it.
And if you need a little extra help keeping your images sharp and steady, the included 18-200mm OSS zoom (and its E-mount alternatives) is video-optimized to silently autofocus while providing optical image stabilization for potentially shaky shots. As on so many other camcorders, a bright, high-resolution 3″ LCD screen swivels 180° for maximum viewing flexibility. (Try that on a 7D!) Further distinguishing the NEX-VG10 is an included Quad Capsule stereo microphone, which adds the precise, high-quality audio you’ll need to match the lushness of your images. Headphone and external microphone jacks give you even more audio control.



 

Price: $225

Sony Handycam video camera
specs:
60 times optical zoom
2000 times digital zoom
face detection
video light
direct copy
touch panel
face index
3.2 in lcd touch screen
comes with:
carrying case
ac adapter
rechargable battery pack
cd rom
usb cable
tri-pod
and 16 gig memory stick
asking $225

Sony DCR SX 20 Flash Memory Stick Handycam

     

• 1/8” CCD with Advanced HAD Technology
• Sony 50x Optical Zoom Lens
• SteadyShot
• Face Detection technology
• Built-in LED video light
• 2.7” Clear Photo LCD with wide viewing angle

Canon FS305 Flash Memory Camcorder

 

Share movies on memory card
The LEGRIA FS305 records movies straight to SD or SDHC memory cards – easy to carry and ideal for sharing.
Smaller, lighter
The LEGRIA FS305 is the lightest, smallest digital camcorder Canon has ever made. That makes it a great companion throughout your day.
Movies – in a snap
Video Snapshot mode makes it incredibly easy to create movies for sharing with friends and family. Every time the Record button is pressed, a short four second clip is captured. Simply transfer your clips to a playlist on the memory card, select a soundtrack, and you’re instantly ready to play your movie on a TV – no need for editing on a PC. Four seconds is the average length of one ‘cut’ in a TV show, helping to give your final movie an expert feel. Sample music tracks are provided on a supplied CD but you can also load your own music to a memory card.
41x Advanced Zoom
Letting you get closer to all of the action, the DIGIC DV II processor combines with the optical precision of a genuine Canon Video Lens to deliver the reach of a 41x Advanced Zoom.
Dual Shot
Dual Shot sets all controls to automatic, making the camcorder really easy to use. You can shoot high quality video and photos, without the bother of switching between settings on the Control Dial.
IS with Dynamic mode
Record steadier footage, even when you’re moving. The LEGRIA FS305 features an Image Stabilizer with a new Dynamic mode, which compensates for a wider range of camera shake.

Pre REC
In Pre REC mode, the camcorder starts recording three seconds before the Record button is pressed. These three seconds are automatically added to the beginning of each clip, so you can still capture the start crucial moment even if you pressed the Record button too late.
True Wide 16:9
Record stunning, panoramic widescreen movies in true 16:9. Monitor your video footage the way it appears on a widescreen TV via the 6.7cm (2.7") 16:9 LCD.
Intelligent battery and Quick Charge
Shoot for up to 3.5 hours on a single charge. The intelligent battery displays remaining charge in minutes. When you do need to replenish, it takes just 20 minutes to recharge for an hour’s recording.
Easy DVD burning
Easily burn a DVD. Canon’s DW-100 DVD Burner (available separately) offers simple one-touch burning.

 

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Sony HD Handycam

S ony has introduced two full HD Handycams. It’s the very last word in HD picture quality, smart shooting features and stunning looks. The new flagship of Sony’s HD camcorder line-up, the Sony Handycam HDR-CX520VE and Sony Handycam HDR-CX505VE is packed with latest innovations to help you capture better looking video and still images, whatever you’re doing. Inside the chic, compact body of the Sony CX520VE Handycam is a massive 64GB internal memory with space for a generous 25 hours of detail-packed Full HD and 5.1 channel surround sound. Want to keep shooting for even longer on that holiday or weekend away? Just slip in an optional Sony 32GB Memory Stick and capture more memories, with no need to worry about packing extra discs or tapes. 

 

 

Sony HD Handycams
The Sony Handycam CX520VE and CX505VE is a showcase for the latest in Sony sensor, lens and processing technology. The roles of these three critical components are perfectly balanced for best-ever imaging performance under any shooting conditions. Key to incredible picture quality is an ultra-high resolution Exmor R CMOS Sensor. This Sony-developed sensor features a highly efficient ClearVid array with back-illuminated technology that captures more light than conventional sensor designs. The result: crystal clear, detail-packed Full HD video and still images up to 12 effective megapixel resolution, with superb contrast and vibrant colours.



Sony's BIONZ imaging processor
Thanks to a dramatic 2x increase in sensitivity, you'll enjoy phenomenal picture quality in low light with dramatically reduced picture noise compared with ordinary CMOS models. You'll really see the difference in dimly-lit interiors and atmospheric twilight moments. Realising the full potential of the Exmor R sensor is the latest version of Sony's BIONZ imaging processor. This further reduces picture noise, while ensuring superb image detailing and lifelike colours. A premium-quality G Lens complements the incredible imaging capabilities of the Exmor R CMOS sensor and BIONZ processor. Showcasing Sony's unique optical design concept, G Lens is precision-engineered to the highest standards.



Sony Handycam Optical SteadyShot Active Mode
The advanced optical design features refinements like aspheric glass elements and Extra-low Dispersion (ED) glass for crisp, clear images with high contrast and reduced colour fringing. Shared with premium lenses from the Alpha DSLR still camera range is a high-quality 6-blade iris diaphragm, allowing the creation of beautiful circular defocus effects. Cutting the effects of camera shake by up to 10x compared with standard Optical SteadyShot, Active Mode now gives even clearer, wobble-free images even when you're walking along. In addition, it's the world's first camcorder to reduce camera shake in 3 directions during video shooting (as of July 2009). Camera roll is now corrected as well as up/down and left/right tremor, contributing to an overall improvement in picture stability.



Sony GPS Handycam
While you're travelling, the GPS receiver inside the Sony CX520VE and Sony CX505VE camcorder logs your location with satellite-linked precision. Map View shows your position on the clear, bright 3" wide Clear Photo LCD plus screen. Back home, supplied Picture Motion Browser software makes it easy to view all your ‘geotagged' video clips and still images, helping you retrace your travels.



Sony HD Handycam features
A friendly new on-screen interface features ‘My Menu' for even simpler operation. Up to six commonly-used functions can be assigned to the main display screen for quick, easy access. Secondary Record and zoom buttons are now represented as on-screen icons, only appearing when the screen is touched for a cleaner, neater appearance. Face Detection is enhanced with ‘Face Touch', giving priority to your chosen subject. Just touch your favourite face on screen: focus, colour balance, exposure and Smile Shutter are automatically optimised for beautiful results. Autofocus precision and speed is also improved by a new Face Detection algorithm.



Sony Handycam software
In a Handycam first, the CX520VE / CX505VE automatically upconverts interlaced video signals for 50p (progressive) playback on a 1920x10980/50p compatible TV via HDMI connection. You'll see the difference with incredibly smooth, satisfying, cinematic images. Supplied Picture Motion Browser software makes it beautifully simple to browse and manage clips on a PC, or upload them with a few clicks to YouTube and other sharing sites. The Sony CX520VE and CX505VE Handycams are also certified by Apple for the compatibility with iMovie for Mac users.



HD flash memory camcorder
The Sony HDR-CX520VE and Sony HDR-CX505VE camcorders is the first HD flash memory camcorder from Sony that's compatible with the optional VRD-P1 DVDirect Express. This ultra-compact disc burner connects to Handycam via a single USB cable. Just touch a button and footage is burned at super-speed to DVD for safekeeping and sharing with friends - either as High Definition AVCHD discs or Standard Definition DVD discs. The Sony HDR-CX520VE and Sony HDR-CX505VE Full HD Memory Stick Handycam are available late August 2009.



Sony VRD-MC6 DVD burner
Joining the VRD-P1 is the brand new VRD-MC6 DVDirect. This sleek, compact Sony DVD burner is a great ‘universal archive' solution that's perfect for transferring video clips, digital photos and old videotapes to DVD. Just hook up virtually any camcorder (analogue or digital), camera or VCR. Preview images on the LCD screen, then press a button and everything's burned to disc - with no Personal Computer needed.



32GB Memory Stick
With a Sony Memory Stick at the heart of the Handycam you have every advantage. The advanced Memory Stick PRO-HG Duo HX is the perfect tool for handling HD digital video, with the ideal combination of massive storage capacity and blisteringly fast operation. Memory Stick PRO-HG Duo HX 16GB is already available and we are pleased to announce that 32GB Memory Stick is coming up. Using the supplied adaptor, the Memory Stick PRO-HG Duo HX 32GB will transfer 225 minutes of Full HD video to a Personal Computer in under 26 minutes, which is 3 times faster than Memory Stick PRO Duo.
 

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Cyber-shot DSC-T100 Digital Camera Review

The Sony T100 spices up the ultra-slim digital camera market. It comes with 8.1 megapixels, a 5x optically stabilized zoom lens, face detection, and even high-definition output. The trendy and glittery T100 has an enormous 3-inch LCD screen and automatic exposure modes with a smattering of manual controls that makes it appealing to point-and-shooters. It costs $399 and stands at the top of the Cyber-shot T-series lineup.

Physical Tour

Front (8.0)
When the metal sliding door is closed, the Sony Cyber-shot DSC-T100 looks like a cell phone or other electronic device. When the door is shut, there is a Sony logo on the right and a chrome vertical rectangle on the left with the Cyber-shot logo engraved into it. When the door slides down about a half-inch, the camera turns on and a few more features are revealed. At the right is the 5x optical zoom lens that looks like a squashed circle. The specs curve around the right edge of the tiny barrel: '3.5-4.4/ 5.8-29.0.' The lens brand, Carl Zeiss Vario-Tessar, is printed to the left of the lens. Above the branding is a circular auto focus assist lamp with a skinny flash unit to its left. Even further left are three holes that make up the camera’s microphone, and there is a "5x optical zoom" label below it.

Back (8.5)
The 3-inch LCD screen takes up almost the entire back side. Above the LCD is a diagonal edge with the Sony logo printed at left and two buttons closer to the right: Power and Playback. The power button has a small LED built into it that lights up when turned on. Less than a half-inch of space on the right side of the back hosts a bunch of controls. The zoom control is at the top with a divot in its center for a thumb and another bowl-shaped divot in the camera body itself just below the zoom lever. The tiny Menu button sits almost centered in this space, and the multi-selector is below it. The multi-selector consists of a central unlabeled selection button and an outer ring with engraved icons on each direction. The left and right sides of the ring are squashed, so it’s not a perfect circle. At the bottom of this skinny space is the Home button.

Left Side (8.0)
The left side of the camera is completely featureless. Users can see only the contours of the camera and the profile of the sliding metal door on the front.



Right Side (8.0)
The right side has a tiny strap eyelet at the top and a compartment door that takes up nearly the rest of the space. The compartment houses the battery and memory card and has a small "doggy door" for an optional power adaptor. The chrome Cyber-shot finger grip is located on the front edge of this side.


Top (7.5)
The top of the camera is covered with branding titles: '8.1 Megapixels, Super SteadyShot, DSC-T100.' The chrome shutter release button is located on the right side. The back edge of the top slants downward, but the power and playback buttons can be seen from here.


Bottom (6.5)
Among the bolts and seams is the open multi-connector port on the left side and the metal tripod mount located just right of center. Directly in the center is the built-in speaker, which will be muffled when the camera is attached to a tripod.

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Nikon d3000 review

Nikon D3000

$499.99

• Excellent image quality
• Auto modes for beginner
• Good in low light

Cons

• Sluggish image buffer
• No live view
• No video recording

Nikon D3000 Full Review

 The Nikon D3000 is an entry-level DSLR, but don't let the term fool you. When you place the label "Entry Level" on a camera, it might call to mind a camera with no frills, limited uses, and little more to offer than an automatic shooting experience. This has been disproved by the latest crop of cameras released in the past two years, and the D3000 continues to set the bar high for an entry-level camera. This new generation of point-and-shoots and entry-level DSLRs not only push the boundary of low-light performance and mega resolutions, they give that power to a whole new audience of beginning photographers.

BUY the D3000 Black 10.2 Megapixels Digital SLR Camera - D3000

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see all pricing for the D3000 Black 10.2 Megapixels Digital SLR Camera - D3000

Major manufacturers have also been pushing prices down, giving us powerful entry-level DSLRs for well under $1,000 - it was only up to a few years ago cameras like the Canon EOS Rebels were first to blast away this price point.
Not only do DSLRs offer you manual control over shooting, they give you the advantage of using different kinds of lenses. It's important to remember when buying a DSLR that you're also buying into a system of lenses, not just a camera. The power of having a DSLR is that you can place any of your old lenses onto a new camera body in the future.
Enter the Nikon D3000, a new entry-level DSLR with a 10.2 megapixel DX-format CCD APS-C image sensor, 11-point Autofocus system with 3D tracking (which comes on the higher-end D5000 and D90), Active D-Lighting and an AF-S DX NIKKOR 18-55mm f/3.5-5.6 VR lens for $599.

The D3000 is focused on the consumer that is looking to move from an advanced point-and-shoot into the DSLR arena, and so is equipped with some very automatic features, including the Nikon Guide Mode that offers extensive shooting tips all the way to setting up the camera. The D3000 also features six automatic exposure modes ranging from panorama to portraits. This should make it easy for even the newest of photographers to gain entry to the DSLR game. Let's see how well it tested...

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BUILD AND DESIGNThe D3000 feels and looks exactly like the other DSLRs from Nikon, and is only different from the D90 and D5000, both higher-end models, by a few tenths of an inch. The D3000 measures 5.0x3.8x2.6 inches while the D90 is 5.2x4.1x3.0 inches, though the D3000 weighs a bit less at 1 lb 1 oz, making the Nikon entry-level to prosumer DSLR models almost identical in shape and size as well as overall appearance.
One of the main distinctions between it and the other models is that it has a smaller resolution of 10.2 megapixels, which could seem blasphemous in today's market when most cameras are coming out well over 12 megapixels. This should not be a deterrent however, but a welcomed surprise that provides bigger photosites on the image sensor so that low-light shots should come out a little better than a packed chip with too many of them - the older D60 model also sports a 10.2 megapixel sensor.
Another major distinction between the D3000 and the D90 and D5000 is that the image sensor is a CCD and not a CMOS chip, which means they are separate, but somewhat similar technologies that are used to turn light into digital values, i.e., the analog-to-digital (A/D conversion), but differ in the method of doing so. The basic thing to know here is that CMOS chips are faster than CCD chips, and are used in most of the pro DSLRs.

Besides some of these major distinctions, the D3000 holds some cool new features like the aforementioned Nikon Guide Mode that works differently than just an auto exposure mode. It's located on the mode dial on top of the D3000. Switching to the Guide mode prompts a menu that will allow you to use the multi selector to select a shooting scenario you want, click on it, and then it will take you to the exact auto exposure mode or settings that you will need to get the desired shot.
Other features include a nice 230,000 dot 3.0 inch LCD, 3 frames per second shooting to catch action sequences, D-Lighting to help get the best exposure in shadows and highlights, and ISO control from 100-1600 with a HI1 setting that expands the range to 3200.
Ergonomics and ControlsAs I said above, there is very little distinction in the shape and design of Nikon DSLRs. The D3000 is no exception, giving off that classic Nikon look. It has your typical hotshoe, mode dial, a command dial and a multi selector to control it all. It also sports a built-in flash, an AF lock button, Fn (function button), shutter, and a few other buttons that carry out different tasks.

The D3000 is a hard-plastic construction that feels great in the hand. It is not too big and not too small, and is only slightly bigger than Panasonic's GH1 micro four-thirds camera, making it very portable and less cumbersome than bigger DSLR models.
The shutter button is distinctly Nikon, with the On/Off switch surrounding the shutter, which is different than most DSLR models. It also has the distinctive orange/red hand bar under the shutter release that you'll only find on a Nikon.
As far as layout and controls, none of the buttons should be daunting for experienced DSLR users, but those new to DSLR photography will find themselves somewhat confused by different symbols and various buttons. As there is a learning curve to this sort of camera, the Guide Mode should be a good place to start as well as the manual.
Menus and ModesThe menu system on the D3000 has a lot to it. To access the various menu subsets you need to press the ‘Menu' button on the back of the camera and use the multi selector to guide yourself through.
It's a straightforward menu system with five different tabs. They include:

• Playback menu: Controls the image display information like histogram all the way to deleting images
• Shooting Menu: For everything from Picture Control to Active D-Lighting. Gets you into the heart of the controls for the camera
• Setup Menu: Allows for customization of different functions like Mirror Lock Up and memory card formatting
• Retouch Menu: For in-camera editing
• Recent Settings Menu: Lists the 20 most recent settings you used that can be quickly accessed so you can use them again and again.

For quick access to shooting settings without going directly through the Menu button, you can press the Information Display button, which looks like a magnifying glass with a plus sign in the middle. By pressing the Information Display button you'll be able to change the white balance, AF mode, metering, exposure compensation, flash mode and many other functions with the multi selector. This is an easy way to change things without too much hassle, and works quite well and intuitively.
The Guide Mode is also an easy menu system. You'll use the multi selector to make selections here. Guide Mode initially offers three different command prompts including Shoot for picture-taking help, View/Delete for image review, and Setup for simplified access to shooting settings.
Here is a list of the different shooting modes that the D3000 offers:

• Programmed Auto: In this mode the camera automatically chooses the optimal shooting settings, both an aperture and shutter speed setting.
• Shutter-Priority Auto: This mode allows you to choose your shutter speed while the camera chooses the best aperture for your chosen speed.
• Aperture-Priority Auto: The opposite of S mode, in that you choose the aperture you want while the camera chooses the shutter speed.
• Manual: In this mode you have total control over shutter and aperture speed, and the most control over exposure.
• Portrait: This mode is for taking model shots, which softens skin tones and helps to blow out the background with a shallower depth of field to give emphasis to your foreground subject.
• Landscape: For vivid landscape shots where you want focus throughout the frame, while still providing lush greens and other tones when a beautiful landscape is captured.
• Child: For taking snapshots of kids, it soften the tones of skin while giving backgrounds a vivid look.
• Close Up: Flower macro captures or small objects you want to take a close picture of.
• Sports: Gives you a fast shutter speed and continuous shooting so that you can capture split seconds of action and sports.
• Night Portrait: Simply for taking portraits of people at night.

The overall menu system for the Nikon D3000 is a combination of easy commands, albeit one with a little bit of a learning curve. On the one hand you have the Guide Mode, which makes it extremely easy to comprehend and use, and then the Menu button that takes you through five different sub categories. Although it is easy to use, consult the manual before getting too far into it.
Display/ViewfinderThe D3000 uses a 3.0 inch TFT LCD screen with 230,000 dots and a viewfinder for composition. It is important to note that there is no live view mode at all, so you can only compose a shot via the viewfinder.

The LCD is bright and extremely accurate for exposure reproduction, allowing you to zoom in on the smallest of details to see if you captured the image you wanted or not. The viewfinder is also nice, providing a lot of shooting information that you can see without taking your eye off of it.


nikon d3000 review

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